“In a painting, those who know no words may yet read.”
St Gregory (1020-1085?)
Images of Mary Through the Ages
Madonna of the Book
Arrowood 2002 after Botticelli 1480
Oil on Panel 23 ½" x 16"
Sandro Botticelli (Florentine, 1455 - 1510): Botticelli's "Madonna of the Book" was painted around 1480. It is exhibited at the Museo Poldi Pezzoli in Milan. Botticelli, under the patronage of the Medici was the leading Florentine painter of his time.
Artist's Note:"The completion of this Botticelli was facilitated by the kindness of a stranger at the Museo Poldi who responded to my pleading emails for a picture of the book. I would have been unable to complete the script on the book without his help. I am also indebted to my husband who supplied 23 carat gold leaf and powdered gold for the haloes. It was really a pleasure to recreate this work. Master Botticelli taught me much!
Madonna with the Blue Diadem
(Reverse image of the Original)
Arrowood 2003 after Raphael 1500's
Oil on Panel 27" x 19 ½"
Raphael Sanzio (Italian, 1486-1520): The original of this painting, attributed to Raphael, is the reverse image of the one pictured here. Raphael's original is displayed at the Louvre in Paris. It is also called "Madonna with the Veil" and has been extensively restored.
The virgin, kneeling on the ground, lifts the veil from the face of the slumbering child so that St. John may see Jesus. The skyline in the back is Roman. It shows the Pantheon lying in the nook of the Tiber Valley, partially blocked out by an ensemble of ruins. According to some sources, the painting was divided in two halves, covering casks at Pescia. Found by an amateur, it was skillfully repaired, eliminating all traces of the break.
Madonna della Sedia
Arrowood 2001 after Raphael 1513
Oil on Canvas on Wood 28"
On loan to BJU Museum and Gallery through July 2008
The Bob Jones University Museum & Gallery is recognized as the finest collection of religious art in the Western Hemisphere. Paintings of European sacred art from the 14th through the 19th centuries trace the religious, artistic, and cultural history of Western Europe. Included are important works of major artists such as Rubens, Tintoretto, Veronese, Cranach, Gerard David, Murillo, Ribera, van Dyck, Honthorst, and Doré. The Arrowood Raphael is included in a special exhibit as a contemporary example of "Learning from the Masters".
Raphael Sanzio (Italian, 1486-1520)
Raphael's original, painted in 1513, may be viewed at the Palazzo Pitti in Florence.
A child prodigy, eleven year old Raphael took over the family studio when his father died. By the age of sixteen, he was acclaimed as a master in his own right, and when he died at thirty-seven on good Friday 1520, it is said that even the Pope wept.
The Virgin Annunciate
Arrowood 2004 after IL Sassoferrato 1600's
Oil on Canvas 35" x 27"
Giovanni Battista Salvi, called IL Sassoferrato (Roman, 1609-1685): Sassoferrato was as gifted a draftsman as any of his contemporaries. The movement of the dramatic drapery of his Virgin Annunciate may have been influenced by the roman sculpture of Gian Lorenzo Bernini.
According to Selected Masterworks from the Bob Jones University Museum and Gallery, this painting is one of two in which the artist used the same composition... which is unusual because Sassoferrato mass-produced many of his devotional paintings.
Virgin of the Grapes
Arrowood 1998 after Mignard 1600's
Oil on panel 36" x 28"
Pierre Mignard (French, 1612-1695): Mignard was a pupil of Vouet. He also studied in Rome, forming his style after Carracci, Dominichino, and Poussin. His original "Virgin of the Grapes," for which his wife was the model, is at the Louvre.
Madonna and Child
Arrowood 1999 after Guido Reni 1629
Oil on Canvas 45" x 36"
Guido Reni (Italian, 1575-1642): Reni's Madonna, painted around 1628-30, is on display at the North Carolina State Museum of Art. It has been said that Reni would become very distraught if he was unable to show his devotion to the Virgin Mary daily. "Many believed," wrote Reni's biographer in 1686, "that because of his great devotion, the Virgin deigned to appear before him."
Return from the Flight into Egypt
Arrowood 2003 after Chiari 1707
Oil on Canvas on Panel 19 ½" x 26"
Giuseppe Bartolomei Chiari (Italian, 1654-1727): Chiari, one of the leading Roman painters of his time, received numerous commissions from Pope Clement XI. Chiari's 1707 original is displayed at the Bob Jones University Museum and Gallery in Greenville, South Carolina.
Arrowood 2003 after Overbeck 1800's
Oil on Canvas 29 ½" x 24"
Johann Overbeck (German, 1789-1869): Painted in the 1800's, Overbeck's original "Visitation" is displayed at the Bob Jones University Museum and Gallery. It depicts a young Mary visiting with Elisabeth after the conception of their sons.
Arrowood 2001 after Bouguereau 1851
Oil on Canvas 58" x 45"
William Bouguereau (French, 1825-1905):"Fraternal Love" was painted in 1851 and is displayed at the Boston Museum of Fine Arts. Bouguereau is well known for producing life-like skin tones and for rendering the human form with accuracy and beauty. While there are over 800 paintings attributed to him, it is possible that some were the work of his exceptional students.
Detail From Fraternal Love
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Characters from The Bible
St. Joseph with the Christ Child
Arrowood 1998 after Guido Reni 1620’s
Oil on Canvas on Panel 34”x 28
"Behold the Man"
Arrowood 2004/2008 after Ribera 1638
Oil on Canvas 30” x 25”
*My copy (revision in progress) after many hours on location at the Museum and Gallery at BJU in 2008
Jusepe de Ribera also called Lo Spagnolletto, (Spanish, 1591-1652): The original of Ribera’s masterful yet sensitive portrait of Christ has been in the permanent collection of the Bob Jones Art Museum and Gallery in Greenville, South Carolina since 1952.
My appreciation of the BJU Museum and Gallery began as a child. I was fascinated by the museum and “Ecce Homo” was my favorite painting. At that age, I was not aware that there was an explanation for why the eyes of Christ followed me around the room...At this age, I am still awed by the fact that He watches me no matter where I am.
*June 29th, 2008: Like me, my artwork often remains a work in progress, in need of revision, improvement, and sometimes, forgiveness. My start on Ribera's "Ecce Homo" in 2004 is a prime example. I didn't realize how much so until I placed it beside the original at the Museum and Gallery at BJU. Ribera would not have been impressed! I am indebted to the Museum and the curator, John Nolan for the opportunity to improve my work. As I have worked on my Ecce Homo at the museum, Mr. Nolan's gentle questions and comments in passing have guided me to "see solutions" to unrealized problems...
St. John the Evangelist
Arrowood 1999 after Domenichino 1625-28
Oil on Canvas 36” x 28"
Dominico Zampieri (Bolognese,1581-1641): A student of Carracci, Il Dominichino-as he was known-was one of the most important upholders of the tradition of Bolognese classicism. His original St. John may be viewed at The Bob Jones University Museum and Gallery in Greenville, South Carolina. The painting includes the symbolic attributes of St. John…The snake alludes to his having withstood poison as proof of his faith. The scroll and book represent his writings.
The Return of the Prodigal Son
Arrowood 2005 after Spada 1622
Oil on Panel 15 1/2” x 11 1/2”
This painting is dedicated to Gary Arrowood, a father with
unconditional love...adored by his sons.
Saint Michael the Archangel
Yvonne Herd Arrowood After Guido Reni
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